Archive for the 'Tzitzit: Jewish Fringe' Category

August 20, 2005: 6:13 pm: kfarPress, Tzitzit: Jewish Fringe

August 20, 2005 BY THOMAS CONNER Staff Reporter

If you’re a fellow rock ‘n’ roll gentile, when you hear the phrase “Jewish music,” you probably think “Fiddler on the Roof” or, if you really think you’re hip, Theodore Bikel. But the rock of ages has wandered into the 21st century making some exciting new sounds, and a Chicago arts center is spotlighting them throughout the fall.

The “Tzitzit: Voices From the Jewish Fringe” music series, presented by the KFAR Jewish Arts Center, features young Jewish musicians who dig deep into their traditional culture and extrapolate its roots into bold, buzzing modern music. Lyrics sometimes seem like insider baseball to those of us who aren’t “frum” (religious, observant, Jewish), but the resulting music is often innovative and worldly.

The series kicks off tonight with a concert by Blue Fringe. On the eve of an appearance at Yidstock in Monticello, N.Y., this basic rock-pop quartet pulls off the same magic act Christian rockers have been mastering (and profiting by) for several years — writing perfectly catchy modern rock tunes, but with lyrics aimed at their particular spiritual perspective, such as these from a song called “Flippin’ Out”:

“I’m getting frummer, yeah, I’m on my way

Learnin’ those catchphrases that you have to say

Like ‘Shkoyach’ and ‘M’Stama,’ too

‘Cause if you don’t say them then you’re not a frum Jew …

It’s one thing to learn your way in the modern world, but young orthodox Jews study to learn their way through centuries of history and tradition, too. Blue Fringe tries to connect both worlds in its music — old-world ideas with guitar, drums and bass — and blow off a little steam in the proocess.

The series’ subtitle, after all, is “Concerts Exploring the Threads Tying the Ancient to the Avant-Garde,” and a duo that really lives up to that is the Balkan Beat Box, appearing next in the series at Wild Hare on Sept. 18. Why buy every one of those tedious Putamayo world-music collections when these New York-based Israelis (Ori Kaplan and world-class beat boy Tamir Muskat) can synthesize them all in the span of a single disc?

The pair’s self-titled debut CD, to be released two days after their Chicago concert, is a magnificent mash-up melding music from every conceivable corner of the globe and its history. French heavy-metal samples, Arabic lyrics, Bulgarian female vocals, electronic beats, kitchen utensils, even a language made up just for one song — instead of gazing into the navels of other cultures, these melanges pull the whole weight of the world forward, always forward. The shows allegedly are lively productions with the band often performing in the middle of the audience.

More acts follow in the KFAR series (look to www.kfarcenter.com for more). If you really want to explore other lands through music, this is a good place to start. Crossing borders — this the Jews know how to do.

Blue Fringe WITH HEEDOOSH

When: 10 tonight
Where: Martyrs’, 3855 N. Lincoln
Tickets: $15
Call: (773) 550-1543

July 18, 2005: 7:00 pm: kfarBorscht, Past Events, Tzitzit: Jewish Fringe
: 8:16 am: kfarPast Events, Support, Tzitzit: Jewish Fringe

The fourth installment of Tzitzit: Voices from the Jewish Fringe, KFAR’s contemporary Jewish music concert series is our most ambitious series to date. Eight concerts in all, we’re presenting a string of world-class Jewish Rock, Jazz, Sepharidc music and hip hop. We hope you’ll join us as a season subscriber and save up to 20% in the process.

08.20.05:
Blue Fringe and
Heedoosh

MP3 Sample: Kacha Lo    MP3 Sample: Lev Tahor

Blue Fringe is one of the hottest Jewish rock bands around, having just released their second album, 70 Faces. Their style incorporates influences such as the Dave Matthews Band, Coldplay and John Mayer, and their popularity has seen them tour all across North America and in Israel and Australia, regularly performing for sellout crowds of 1,000 and up. Influenced by Stone Temple Pilots, Radiohead, Coldplay and Oasis, Heedoosh plays a mix of brit-rock and Hebrew lyrics that doesn’t compromise on either front.@ Martyrs Live, 3855 N. Lincoln 21 + showbuy ticket:
Event Tickets
$15 advance tix via ticketweb.com


09.18.05 World Music Festival:
Balkan BeatBox & Golem

MP3 Sample: Bulgarian Chicks
      MP3 Sample: Grine Kuzine
Balkan BeatBox is an inspired madness that is a mish-mosh of Jewish, Mediterraneam Southern Slavic, Balkan and Gypsy sounds for an infectious non-stop dance party. Ori Kaplan and Tamir Muskat lead and ensemble of fellow Israeli expats Itamar Zieglar, Dana Leong and Vocalist Tomer Yosef for a magical semi-circus atmosphre that’s part Gypsy caravan, part performance-art collective and all dance party.

Golem’s raw material lies in Yiddish theater songbooks, shtetls and bandleader Annette Ezekiel’s field recordings from Lower East Side locales like bagel shops staffed by Turkmen Jews. She reconstructs these songs much the same as the 16th-century legend of the MAHARAL of Prague. who fashioned a golem monster out of clay.

@ Wild Hare, 3530 N. Clark 21 + show
buy tickets:
Event Tickets
$12 advance tix via ticketweb.com

KNISHMAS 2005
Lineup and location TBA

Our X-mas alternative falls during Hanukah this year. Last year sold out, and this year will be bigger and better than ever, featuring a mix of acts that will bring an infectious fusion of musical styles incorporating rock, reggae, hip-hop, and disco with traditional Jewish content. STAY TUNED AND SAVE THE DATE

February 5, 2005: 10:00 pm: kfarPast Events, Tzitzit: Jewish Fringe
It’s Pikesville, MD, 1979 – a middle to upper-class Jewish suburb of Baltimore where boys grow up and become doctors or lawyers, buy a house close to their parents, and produce a family to repeat the cycle. But 10- year old Cleetus Friedman is different.

His parents are divorced. He listens to different music. All his friends are black. He watches black TV. His sister doesn’t get him. His mother is in denial. Then he hears Rapper’s Delight’ by Sugar Hill Gang, and all bets are off: he’s gone to rap.

White Like Me is a hip-hop autobiography told by Cleetus Friedman with musical accompaniment by DJ Sapien that loosely mirrors the iconoclastic “Lech Lecha” story of Abraham the patriarch. As Friedman leaves his father’s house to a land and culture unknown, he smashes preconceived notions in order to “go to himself. ” In this unique performance, Friedman weaves together character sketches, monologues and narrative raps like a Jewish John Leguiziamo to tell his own sometimes hilarious, sometimes heartbreaking story.

It’s a modern coming of age story about Jewish man finding himself, finding the beat, and following his dreams.

@ Strawdog Theatre in Lakeview, 3829 N. Broadway in Chicago

(Directions/Parking)
http://www.kfarcenter.com/images/logos/ticketweb.gif Tickets: $15 on safe, secure ticketweb.com

Presented as part of KFAR’s concert series
December 25, 2004: 7:00 pm: kfarPast Events, Tzitzit: Jewish Fringe

Do you wish Hanukah wasn’t so early this year?

Not joining in any Reindeer games?

Lonely Jew on Christmas?

Not gettin’ any… gelt?

Bah Humbug!

Fellow Hebrews and Shebrews, have yourself a
Merry Little Knishmas at a rockin’ mini-festival

of contemporary Jewish culture on the
least Jewish night of the year.

NYC’s hottest Jewish rocker’s Kacha Lo “Sounds like John Mayer, only… circumcised.” “A cultural phenomenon” Jewsweek
Folk rockers Evën Sh’Siyah’s Mi Hu Zeh “Jewish Allman Brothers” JUF News
Human BeatBox Yuri Lane’s Mix It Up (From Tel Aviv to Ramallah) “A Must See…” San Francisco Bay Guardian
Farbrengiton’s I am a Jew “Garage band, Chabad House & Commune rolled up into one.”
Listen Up! Jewish Acapella’s Tum Balalaika “Redefining musical rules” Chicago Tribune

The image “http://www.kfarcenter.com/images/logos/hothouse” cannot be displayed, because it contains errors.

$20 door, $18 advance tickets using

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Tickets: $15 on secure ticketweb.com

Presented as part of KFAR’s concert series
October 24, 2004: 8:00 pm: kfarPast Events, Tzitzit: Jewish Fringe
The Ari Ben Moses Band
The ARI BEN MOSES BAND has emerged as a new force in World Rock & Reggae, captivating audiences across the United States. Reggae bass lines, African and Latin beats; Middle Eastern and traditional Jewish scales, punctuated with gritty Funk Rock grooves are masterfully blended by this international ensemble. The band performs a show at Nevin’’s Live on Sunday October 24, presented by KFAR Jewish Arts Center, one of the 3 year-old Evanston music venue’s last shows before it ceases to present music on October 28.

Ari’s music often compared to Carlos Santana and Peter Gabriel, Ari’s compelling lyrics, powerful voice and brilliant piano playing have captivated audiences across the United States. With the release of his CD, “Burning Bush”, his innovative sound has been featured on WLIB-AM, WBAI-FM and WSIA-FM Radio stations in New York City, WNUR-FM in Chicago, as well as on Radio Eshel 106-FM in Israel. Through the Internet, he has successfully reached listeners in Holland, Israel, Spain, Portugal, Germany, Italy, Japan; the Pacific Rim and UK.

A native New Yorker, Ari grew up in Westport, Connecticut. After a brief stint in acting (he was the first ‘Jason Voorhees’ in the horror classic “Friday the 13th”), he turned to his passion and trained in classical music and jazz. Recognized at an early age for his musical abilities by famed jazz musician and educator Dr. Billy Taylor, he won a scholarship to Berklee School of Music. In the 1980s, after he returned to New York City, where he studied big band orchestration and jazz piano with Joanne Brackeen, Jim McNeely, Gay Mehegan and Vladimir Shafranov, and began to explore beyond Western tradition. Finding inspiration in the West African and Reggae music scenes, Ari toured nationally and in Abidjan, Cote D’Ivoire, as keyboardist and vocalist for many top artists, including Ishmael Isaacs, Ijahman Levi, Sister Carol; and Majek Fashek, with whom he made two albums, “Spirit of Love” (Interscope) and “Rainmaker” (Tuff Gong).

In the late-1990s, Ari re-discovered the music of his Jewish ancestors, infusing traditional melodies and rhythms into his eclectic compositions. To reveal the direction of his music, Ari formed a group of the best local artists, the Ari Ben Moses Band. Together, they approached Ari’s exotic musical expressions with a refreshing, vibrant energy and urbane confidence nourished by the multi-cultural setting of New York City.

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Tickets: $15 on secure ticketweb.com

Presented as part of KFAR’s concert series
September 20, 2004: 7:00 pm: kfarPast Events, Tzitzit: Jewish Fringe

Call it Jewgrass or a Hasidic Hodown, but this Appalachian/Ashkenazic combo is a hit!

Klezmer clarinetist Margot Leverett joins forces with today’s stars of klezmer and bluegrass to explore the shared musical spirit of two genres literally worlds apart. Appalachian and southern fiddle tunes by Bill Monroe meet klezmer melodies from pre-war Russia and Eastern Europe, some newly discovered. The resulting medleys and improvisations are at once raw, funny, melancholic and footstomping.

Hear the music:

presented as part of the City of Chicago’s

$8.00 in advance, $10.00 at the door 21+

buy advance tickets on sale using

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Presented as part of KFAR’s concert series
March 7, 2004: 8:00 pm: kfarPast Events, S.H.I.R.I.M, Tzitzit: Jewish Fringe

Celebrate Purim with The Rabbinical School Dropouts. Sun Ra, the Hampton Grease Band, Frank Zappa and the Klezmatics all rolled into one, the music of the Friedmann brothers is fresh and imaginative. Their ten-member big band (featuring oboe, mandolin, bassoon, theremin, toy piano, tablas, etc.) storms through a dozen creative originals touching upon klezmer, jazz, funk, Latin, rock, and varied mishegoss along the way. Jewish garage jazz with a sick sense of humor from Long Beach, California.

“Frank Zappa and Dr. Seuss intersect with John Zorn and the Art Ensemble of Chicago by way of Naftule Brandwein and Joseph Moskowitz in a largely improvised musical co-directed by Woody Allen and Howard Stern, with Eddie Cantor offering spiritual support from the great kibbutz in the sky.” -George Varga, Union Tribune

“Makes me wanna dance naked with my Uncle Shlomo.” Judd Handler, San Diego Jewish Times (read full article)

“The complete amalgam of new Jewish music run riot…You will be sucked into the hypnotic, swirling world of the RSD and then be showered by a water cannon of absurdity.” Tom Jurek, All Music Guide (read full article)

MP3 : Mosquitto from Meggido


http://www.kfarcenter.com/images/logos/ticketweb.gif Tickets: $15 on safe, secure ticketweb.com

Presented as part of KFAR’s concert series

February 20, 2004: 5:20 pm: kfarPast Events, Press, S.H.I.R.I.M, Support, Tzitzit: Jewish Fringe

By WENDY MARGOLIN
Staff WriterFebruary 20, 2004–Adam Davis, founder of Chicago’s KFAR Jewish Arts Center, presented the first concert in the concert series Tzitzit: Voices from the Jewish Fringe and hoped it would attract 50 people. When 150 showed up to hear YIDCore–a group that Davis describes as “a weird little punk band”–he knew he was onto something.

Now, after two years of single-handedly founding and building KFAR, an endeavor to bring arts and culture to the Chicago Jewish community, Davis will present the Rabbinical School Dropouts as a Purim festival at The HotHouse. Past KFAR concerts at this venue have garnered so much interest that Davis has had to turn people away. The “esoteric space klezmer” band that mixes klezmer, jazz, funk, rock, and more is expected to attract a large crowd, many of them loyal to the endeavor that Davis describes as more of an adventure than a business.

KFAR is part of a growing movement of Jewish arts and culture organizations that are helping to fuel what Davis calls a “Jewish Renaissance.” A loose network of similar organizations is emerging, seeking ways to collaborate on major, national-scope Jewish cultural events focused on engagement through arts and music.

“We need these programs not just to reach people, but to reflect on and contemplate who we are as a people, where we’ve come from and where we’re headed in the future. I guess you’d call that ‘KFAR for art’s sake’,” says Davis.

Davis says his love for music is rooted in his childhood at Congregation Bnai Tikvah in Deerfield, where the rabbi and cantor believed the congregation should be the chorus. “On Shabbat I would go to services and sing along. When everyone was sitting in the back giggling, I was one of the kids who would sit up front. So from an early age I was harmonizing, and I was interested in not just music, but Jewish music,” says Davis.

Davis went on to receive a degree in musical theater and established a successful career in Chicago. But when it came to Jewish life, he was disconnected. “I was unable to connect to the Jewish community the way I wanted, because I didn’t have my Friday and Saturday nights free. I wanted to meet other young Jews that were like me.”

Though Davis left the theater scene, it was not until a marketing stint made him dissatisfied that he found his niche in the Jewish community. “I found myself working at a job that I wasn’t happy about and I said, ‘How did I get from doing what I love to doing this?’ I wanted to get back to it [the arts] and I wanted to do something that really involved something about being Jewish.”

At the same time, Davis says the Jewish music scene was growing on the coasts and there was nothing that mirrored it in Chicago. “I thought, this is a great town with a great arts scene and a sizeable Jewish population. There is no reason that we shouldn’t have something interesting going on here in terms of Jewish music and Jewish theater.”

Davis founded KFAR Jewish Arts Center by e-mailing a few friends information about Jewish cultural events. The list and events grew, and today KFAR presents a season of concerts featuring local bands and bringing in groups from around the country. Though the bands range in style, Davis has a good sense that if he likes the sound of their music, there are others who will appreciate it too. The center is working on expanding to include other cultural events, including theater and poetry readings.

Davis says KFAR has tapped into a population that previously was not being reached by the Jewish community. Many of the concertgoers are unaffiliated young people who, for various reasons, never set foot in a synagogue or a JCC, says Davis, who asks people about the other Jewish events they attend. “There’s a mix of people who are unaffiliated and affiliated. There are some people who are purely interested in music and some who are more spiritually motivated but looking for a connection through music. Among those who are “affiliated” it runs the gamut from all of the movements. There are people from West Rogers Park and Wicker Park.”

Realizing that the larger Jewish community strives to engage this unaffiliated population, Davis offers synagogues throughout Chicago an opportunity to have a second concert featuring the bands KFAR brings to town. KFAR subsidizes the events that would otherwise be too difficult and expensive for synagogues. “There’s a need to do the same kind of programming within the established Jewish world. Synagogues don’t know which acts to book and they can’t afford it,” says Davis.

Davis says the most difficult part of his endeavor is financial. KFAR is financed through Davis’s own pocket and ticket sales.

Still, he hopes his one-man operation will grow to include more help and financial assistance in the coming years. “I hope it’s heading toward a community that is further enriched by Jewish music on a regular basis. One that has access to different programming in a variety of different places and levels–from youth programs, to synagogue programs, to programs that take place at traditional arts venues like I’m already doing.”

As for the Purim concert, attendees can count on hearing some good music and enjoying hamentashen. Davis says no one should worry though, “We won’t be reading a megillah or anything.”

Rabbinical School Dropouts will play at 8 p.m. Sunday, March 7 at The HotHouse, Chicago $15 at the door, $12 in advance. More information is at the KFAR website.

Posted: 2/20/2004

Related links…

KFAR website

January 19, 2004: 5:17 pm: kfarPast Events, Press, Tzitzit: Jewish Fringe
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Afro-Semitic Experience drummer Alvin Carter Jr., left, and percussionist Baba Coleman play an African prayer beat to open a celebration of the Rev. Martin Luther King Jr. Day at First United Methodist Church in Evanston on Sunday. Kelvin Ma/The Daily Northwestern

By Yuxing Zheng

Warren Byrd said he doesn’t think a celebration of the Rev. Martin Luther King Jr. Day has to involve passively listening to speeches.

“It’s OK to be funky in church!” Byrd yelled to a crowd of 200 gathered at First United Methodist Church on Sunday to celebrate King’s legacy through music.

Byrd is a pianist with The Afro-Semitic Experience, a Connecticut-based band that describes itself as a combination of Jewish melodies, gospel music and spirituals that combine to create an eclectic jazz style.

Those in attendance at the church, 1630 Hinman Ave., sang along and clapped to the innovative sound of the band, led by Byrd and bassist Dave Chevan.

“It’s like a weave, a cloth of many different experiences which we can explore and learn,” Byrd said about the band’s music. “We’re able to discard our differences and any prejudices.”

It was that combination of two different cultures and sounds that the Kfar Jewish Arts Center of Chicago had in mind when it drew the band to the area as part of its Tzitzit concert series.

The center also helped facilitate the Evanston event and performances in Lakeview, Ill., on Saturday night and Highland Park, Ill., later Sunday evening.

Adam Davis, director of the Kfar Center, said he felt the band was a good fit for the center’s traditional concert in celebration of King.

“The music not only celebrates our Jewish culture but our bridges with other communities,” Davis said.

Pastor Sara Webb Phillips of First United Methodist Church also said she was glad to have the band at the church’s annual celebration.

“In the Experience, they bridge the values between the music and the people who attend,” Phillips said. “It’s very exciting.”

Evanston resident Rachel Fowler said the performance was “fantastic” because it combined African-American and Jewish music well.

“The music comes together,” she said. “I want to get the CD now.”

The band’s sound is created by as many as seven members, though the number varies depending on the performance.

Sunday’s event featured three members in addition to Byrd and Chevan: a tenor saxophone and clarinet player, a percussionist and a drummer.

Davis said the event was a great way to share the band’s music and commemorate the holiday.

“It was a really nice crowd … (with) people from different communities, a lot of faiths and backgrounds,” he said. “It was great to see people come together not only to celebrate (King’s) memory, but his living legacy as well.”